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By Mario Campana

Los angeles biografía de Charles Baudelaire, el poeta maldito por excelencia.

La leyenda y el mito se han apoderado del autor de Las flores del mal. Convertido en uno de los iconos de l. a. cultura moderna, en el poeta maldito por excelencia, los angeles figura de Charles Baudelaire ha sufrido todo tipo de manipulaciones, que han pretendido convertirlo en dandi frívolo o en mártir y héroe inmaculado, en audaz parricida o en contumaz consumidor de drogas, simplificando así l. a. verdadera magnitud de su figura, su vida y su trabajo.

Ateniéndose a los angeles ingente documentación existente y sorteando los peligros de l. a. hagiografía y el anecdotario, esta biografía, escrita con rigor y fluidez, es l. a. obra de un poeta que prefiere ceñirse a los hechos y a los angeles complejidad de l. a. vida del que fuera el fundador de l. a. poesía contemporánea, reconociéndolo en sus grandezas y miserias, su arrojo, sus contradicciones y sus dobleces hasta llenar un inexplicable vacío en l. a. bibliografía en lengua castellana.

Con un profundo conocimiento de los angeles sociedad francesa y los avances del mercantilismo en l. a. época, Mario Campaña sitúa a Baudelaire en su contexto social y político, al tiempo que destaca cómo influyó esta convulsa situación en su vida y obra. Siendo revolucionario en 1848, el poeta terminó repudiando toda l. a. civilización occidental y proponiendo fórmulas políticas que lo situaron en el espectro más conservador de su época.

«No hay momento pertinente de l. a. vida de Baudelaire del que esta biografía no se ocupe sin una interpretación muy ajustada, repartiendo juego sin recabar méritos propios. De ahí su valor.»

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Etc. And how dare you play Mozart and Wagner after that? You need music for your digestion, for the arousal of all manner of appetites, you need Rossini and Offenbach. 46 After he received this and the long letter in which Kuzmin reminisced about his childhood, Chicherin replied: I am even more convinced about the closeness of our moods, even if some nuances of my own do shock you. In you an unquenchable thirst for the "blue flower" holds sway, as "artistic feelings" do in me. Is it not just a difference of words?

For musical variety I would like to include, in a sort of scherzo, one of the fountains of Rome, but they're all ghastly baroque" (April 25). '' He drew on these memories all his life. Compare the letter of April 16 with the opening of the magnificent meditation "The Catacombs,'' written a quarter of a century later, in 1921: With the innocence of infants, the shades were lost in listening to the singing of Orpheus. Under a willow Jonah keeps remembering the depths of the whale. 38 "I AM SEARCHING .

59 He resumed his study of music and worked on composition, harmony, and musical arrangement with Vasily KUhner, a composer, pianist, and violinist who had left Germany in 1882 to open a private music school in Petersburg. "60 This "honeymoon," as he called it, in his relationship with Chicherin and the denial of sensuality that he was trying to impose on himself could not last, and the familiar pendular swings of mood returned, outward indications of a psychological state so fragile that doctors ordered a trip abroad after a severe illness in the winter of 1896-97.

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